After I got the five Contax I went to look for more info and found the Contax Zeiss Survival Guide at REDUser. To fit the barrel of the lens, use a caliper and be precise about it. 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These are way more common in AE, but I was lucky enough to find a MM coming straight from Japan. Your choice if you want them Cine-modded or not. Then Nick Morrison went on and on and on about the 35-70. Unfortunately, it predates the Distagon 28/2.8. Contax Zeiss Survival Guide - REDUSER.net I like to add 0.3mm to the measurement to give me a little wiggle room after printing. Luckily for me, out of the five lenses I only messed up really bad on one (the 85mm, which was also the first one I tried). The focusing ring on my 85mm AE is much smoother than my 85mm f1.4. 80mm is the outside diameter of the rings, and that number is so specific because its a standard size for clip-on matteboxes. . Also the low-con coating does give you more latitude. Wide open it's one of the sharpest F2.0 wide angle lenses available and it has very little distortion. All I ever had so far was a Canon backpack and that is not a safe way to transport this grade of gear everywhere. Its regarded as one of the best 21mm ever made, and to this day they still use the same formula for the 21mm f/2.8 ZF/ZE primes. The rubber grip on the focus ring of the lenses is awesome because it prevents the gears from sliding, but its also a pain because it makes the fitting a lot harder. To me, Contax are a GREAT way to affordably get a very real cinematic look from a golden age in Zeiss optics. What an amazing amount of learningand research condensed and shared. Nick, awesome thread. They rack focus beautifully. He's obsessed with the technical aspects of his projects and how each piece of glass in front of the sensor will affect the final look. Posts; Latest Activity; Photos . So I respond to that more. The Carl Zeiss Distagon 2.8/28 T* enjoys a very good reputation and it is a bit more expensive at around 250. Otherwise, the transition from AE was meant to be seamless. All times are GMT-8. In fact, at 5.6 Contax, Supers and Standards looked IDENTICAL. KOMODO + Canon FD or Contax Zeiss + Focal Reducer This one was only made in Japan and it doesnt exist in AE, just MM. Optically, Ive read numerous reports that show BOTH lines are very sharp, but frequently the Contax equivalent is deemed a tad sharper (stopped down). I plugged in the focal length in white so theyre easy to read in dark sets. The 180 is cleaner, sharper and technically better. You can skip ahead and read that HERE. MM's from 1984 to 2005. 18mm is way too close to 21mm, plus lots of reviews mention its not-impressive performance. We've been taking a look at what it offers and what it's like to shoot with. I'm only saying that because the guys on the photography forums use these charts to compare numbers with other lenses they all refer to that page as the 'source'. To summarize, yeahthey look remarkably similar. I shipped all of them to SIMMOD for declicking and a quick checkup. You can use the code CINE at check out for a nifty discount! 1. Landmine Media, LLC. On my set some were MMJ, others AEG. Also almost twice as big and heavy as the previous one. Zeiss Ikon was also split apart into Eastern and Western divisions, but these two subsidiaries kept working togetherand Contax rangefinder cameras and lenses continued to be made on both sides of the wall. Canon EOS Rebel T6i (EOS 750D / Kiss X8i), Shedding some light on the sources of noise, Contax Yashica lenses - German vs Japanese, Re: Contax Yashica lenses - German vs Japanese, Sigma 23mm F1.4 DC DN Contemporary sample gallery, Sigma 50mm F2 DG DN Contemporary sample gallery, Sigma 17mm F4 DG Dn Contemporary Sample Gallery. check out the. Almost six months after I wrote this guide, I decided to update it with a quick survey of what lenses to consider - a general overview of the Contax lineup, if you will. For declicking, I read a lot of posts from people saying its a super easy process on Contax Zeiss lenses, but I didnt have the guts for it. The only thing I could maybe do later is update the markings on each lens with fluorescent paint like what you see here, by Moritz Schierenbeck on VLFVs facebook group. When the AE's flare, they generally flare white, evenly, and when overwhelmed by a direct source, can reveal a touch of green ghosting. Thats NOT to say all the designs are the same. The original CONTAX RTS was introduced in ,highly advanced electronic SLR system camera developed by mutual cooperation of Carl Zeiss, West Germany, and Yashica, Japan. These babies were bleeding me dry. They are made in Spain, cost about 60 euros each and you install them on the back of the lenses using the provided screws.
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